Last Updated on July 10, 2020
Features
- 4K Super 35 CMOS image sensor
- Variable Scan Mapping
- Micro Four Thirds System Lens Mount
- Ultra HD 4K Recording at 150Mbps and Live Output
- 4:2:2 Full HD recording at 50Mbps (24p-60p)
- 3 position ND filter (1/4, 1/16 and 1/64)
- 2-channel XLR audio inputs with phantom power
Introducing the GY-LS300
GY-LS300 Overview
It’s not only Sony who is enjoying a flurry of camera releases this year. JVC has launched not just one, but four new 4K camcorders. And one of the releases is the GY-LS300 4KCAM S35mm Camcorder.
The JVC 4K Camera – One of them, at least
This new JVC 4K camera is capable of recording to non-proprietary SDHC and SDXC media cards in a variety of image formats, including 4K Ultra HD, Full HD with 4:2:2 sampling, SD and web-friendly proxy formats.
The camera comes with the proprietary 4K Super 35mm CMOS Sensor which is combined with an industry standard Micro Four Thirds (MFT) lens mount. The unique Variable Scan Mapping technology of JVC allows native angle of view for different lenses, including Super35, MFT and Super 16. Because of this, the number of lenses that can be attached to the camera are wide ranging.
Edgar Shane, general manager of engineering for JVC Professional Products, said that “The combination of a Super 35 sensor and MFT mount is a brilliant solution to accommodate that largest variety of lenses and adapters without compromising image quality and lens characteristics.” With these available features, filmmakers now have the flexibility to use high-end cinema lenses or affordable ones in order to capture 4K/HD footage.
A Very Interesting Development
Able to record Ultra HD at 150 Mbps, the GY-LS300E is definitely a very capable machine. This rate is even higher than the 100 Mbps provided by the Panasonic Lumix DMC-GH4 mirrorless Micro Four Thirds digital camera. It even comes with professional audio features like XLR inputs and even has streaming and IP transfer functions.
With Metabones adapters or any other smart or mechanical adapters, shooters can adapt almost any lens for the LS300. It’s most standout feature has to be Variable Scan Mapping technology which allows a range of different lenses to keep its FOV. That is one impressive feature, truth be told.
One of its strengths is its capability to support wireless streaming while recording HD to an optional memory card.
Y-LS300 4KCAM – JVC’s Super 35mm Handheld Camcorder
It’s not only Sony who is enjoying a flurry of camera releases this year. JVC has launched not just one, but four new 4K camcorders. And one of the releases is the GY-LS300 4KCAM S35mm Camcorder.
The JVC 4K Camera – One of them, at least
This new JVC 4K camera is capable of recording to non-proprietary SDHC and SDXC media cards in a variety of image formats, including 4K Ultra HD, Full HD with 4:2:2 sampling, SD and web-friendly proxy formats.
The camera comes with the proprietary 4K Super 35mm CMOS Sensor which is combined with an industry standard Micro Four Thirds (MFT) lens mount. The unique Variable Scan Mapping technology of JVC allows native angle of view for different lenses, including Super35, MFT and Super 16. Because of this, the number of lenses that can be attached to the camera are wide ranging.
Edgar Shane, general manager of engineering for JVC Professional Products, said that “The combination of a Super 35 sensor and MFT mount is a brilliant solution to accommodate that largest variety of lenses and adapters without compromising image quality and lens characteristics.” With these available features, filmmakers now have the flexibility to use high-end cinema lenses or affordable ones in order to capture 4K/HD footage.
Early LS300 reviews have sung its praises. Here are its specifications at a glance:
- a newly developed 4K Super 35mm CMOS image sensor
- Micro Four Thirds System lens mount
- Variable Scan Mapping
- adapters for PL and EF mount lenses
- 4K Ultra HD recording to SDXC
- 4:2:2 Full HD recording at 50 Mbps
- 3 position (¼, 1/16, 1/64) ND filter
- HD-SDI (3G) and HDMI outputs; 4K output via HDMI only
- 2-channel XLR audio inputs with phantom power
- shotgun microphone
- dual SDHC/SDXC slots for dual, backup and continuous recording
- advanced JVC streaming engine that is compatible with USTREAM, Zixi and Wowza Streaming Engine
- IP network remote control, remote viewing, metadata editing, FTP clips needs appropriate network connection and adapter)
- 3.5-inch, 920K pixel color LCD display with smart focus assist function
- 0.24-inch, 1.56M pixel color viewfinder with smart focus assist function
- support for wired remote control
- 10 buttons that are assignable by the user
- handle unit, SSL-JVC50 7.4V battery and AC Adapter included
With these slew of features, it’s no wonder why any JGY-LS300 camcorder review marvels at the product.
Test Footage
A Very Interesting Development
Able to record Ultra HD at 150 Mbps, the GY-LS300E is definitely a very capable machine. This rate is even higher than the 100 Mbps provided by the Panasonic Lumix DMC-GH4 mirrorless Micro Four Thirds digital camera. It even comes with professional audio features like XLR inputs and even has streaming and IP transfer functions.
With Metabones adapters or any other smart or mechanical adapters, shooters can adapt almost any lens for the LS300. It’s most standout feature has to be Variable Scan Mapping technology which allows a range of different lenses to keep its FOV. That is one impressive feature, truth be told.
One of its strengths is its capability to support wireless streaming while recording HD to an optional memory card.
The JVC GY-LS300 4KCAM S35mm camcorder is available in body only as you can freely choose which lens to attach to it. With an MFT mount that can support full-frame, PL, C and EF mount lenses – the possibilities are endless.
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Final Thoughts
The JVC GY-LS300 4KCAM S35mm camcorder is available in body only as you can freely choose which lens to attach to it. With an MFT mount that can support full-frame, PL, C and EF mount lenses – the possibilities are endless.
GENERAL SPECIFICATIONS |
|
Power |
DC 12V (AC adaptor), DC 7.4V (Battery) |
Power Consumption |
Approx. 9.8W (HD) (with VF in REC mode, default setting) |
Weight |
Approx. 3.6lbs (including battery) |
Dimensions |
135(W) x 191(H) x 359(D)mm |
Operation temperature |
0℃ to 40℃ (32°F to 104°F) |
Storage temperature |
-20℃ to 50℃ ( 14°F to 122°F) |
Operating humidity |
30% to 80% |
Storage humidity |
under 85% |
CAMERA |
|
Image Sensor |
Super 35 13.5 M pixels progressive scan CMOS |
Synchronizing |
Internal synchronization |
Lens mount |
Micro Four thirds system mount |
Shutter speed |
1/6 ~ 1/10000 |
Gain |
0, 3, 6, 9, 12, 15, 18,21,24 dB, Lolux(30,36 dB), AGC |
ND filter |
none , 1/4, 1/16, 1/64 |
LCD display |
3.5-inch 920 k pixels, 16:9 |
Viewfinder |
0.24-inch 1.56 M pixel, 16:9 |
VIDEO/AUDIO RECORDING |
|
Recording media |
2x SDHC/SDXC memory card (4K:UHS-1 U3 HD:50Mbps Class10, HD:35Mbps Class 6, AVCHD/SD Class 4) |
Video recording |
Video codec: MPEG-4 AVC/H.264 (4K/HD/SD/Proxy) ,AVCHD(HD/SD) |
|
File format : MOV(H.264), MTS(AVCHD) |
4K(H.264)
|
NTSC setting: 3840 x 2160/29.97p, 23.98p (70,150 Mbps) PAL setting: 3840 x 2160/25p (70,150 Mbps) Cinema 4K: 4096 x 2160/24p, 23.98p (70,150 Mbps) |
HD(H.264)
|
NTSC setting: YUV422 mode:1920 x1080/59.94p, 59.94i,29.97p, 23.98p (50Mbps), Cinema 2K: 2048 x1080/24p ,23.98p (50Mbps) XHQ mode: 1920x1080/59.94p, 59.94i, 29.97p, 23.98p(50Mbps) UHQ mode: 1920x1080/59.94i,29.97p, 23.98p(35Mbps) 1280x720/59.94p(35Mbps) PAL setting: YUV422 mode:1920 x 1080/50p, 50i, 25p (50Mbps) XHQ mode:1920x1080/50p,50i,25p(50Mbps),1920x1080/50i,25p(35Mbps), 1280x720/50p(35Mbps) |
AVCHD
|
NTSC setting: Progressive mode(Max 28Mbps):1920 x 1080/59.94p, HQ mode(24Mbps):1920 x 1080/59.94i, SP mode(17Mbps):1920 x1080/59.94i LP mode(9Mbps):1440 x 1080/59.94i (Web mode), EP mode(5Mbps):1440 x1080/59.94i (Web mode) PAL setting: Progressive mode(Max 28Mbps):1920 x 1080/50p, HQ mode(24Mbps):1920 x 1080/50i, SP mode(17Mbps):1920 x1080/50i LP mode(9Mbps):1440 x 1080/50i (Web mode), EP mode(5Mbps):1440 x1080/50i (Web mode) |
SD(MOV/AVCHD) |
NTSC setting: 720 x 480/59.94i (8 Mbps) |
Proxy(H.264) |
NTSC setting: HQ mode(3Mbps):960 x 540/29.97p, 23.98p, LP mode(1.2Mbps):480 x 270/29.97p, 23.98p PAL setting: HQ mode(3Mbps):960 x 540/25p, LP mode(1.2Mbps):480 x 270/25p |
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|
Audio recording |
LPCM 2ch, 48kHz/16-bit(4k/HD/SD MOV)), AC3 2ch(AVCHD), μlow 2ch(Proxy) |
LIVE VIDEO STREAMING |
|
Protocol |
RTMP, MPEG2-TS/UDP, MPEG2-TS/TCP, RTSP/RTP, ZIXI |
Bitrate |
0.2 – 12 Mbps |
Resolution |
1920x1080, 1280x720, 720x480, 480x270 |
INTERFACE |
|
Video output
|
AV output (φ3.5mm mini jack x1) SDI output (BNC x1) HDMI output x1 |
Audio input |
XLR x2 (MIC,+48V/LINE), φ3.5mm mini jack x1 |
Audio output |
AV output (φ3.5mm mini jack x1) |
Headphone |
φ3.5mm mini jack x1 |
Remote |
φ2.5mm mini jack x1 |
USB |
HOST x1(Network Connection) , DEVICEx1(Mass storage) |
Network Function |
Live Video Streaming, FTP, Remote Control |
INCLUDED ACCESSORIES |
|
Handle unit, Battery(SSL-JVC50) x1, AC Adapter x1, Shotgun microphone x1 |
User Reviews
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