Panasonic AG-HPX250 What Makes It the Camcorder of Choice
If you’re considering buying the best camcorder on the market, consider the Panasonic AG-HPX250 2.2MP P2 HD H. Lets take a look at its stunning features and capabilities:
Reasons to love the Panasonic AG-HPX250
It comes equipped with as high-performance 22x zoom lens, which was specially designed to produce nothing but professional high-def videos. It also has the wide-angle capability of the DVX and HVX series, making the lens offer additional telephoto capability for a 28-616mm zoom range. Aside from 18 elements in 12 groups, the lens has low-dispersion, ultra-high refractive (UHR) glass, and aspheric elements. And because it’s from Panasonic, it comes with CAC or Chromatic Aberration Compensation technology, which minimizes color bleeding in its surrounding images. This results in rich expression through finely rendered nuances and excellent shading.[vimeo height=”430″ width=”760″]https://vimeo.com/29509312[/vimeo]
Manual Control Ratings
It has three manual rings: mechanical (cam-driven) zoom, focus, and iris, all of which allow you to use the camcorder as if it has interchangeable lens that will allow you to have tactile control over the image’s parameters.
Optical Image Stabilization
If your hands tend to shake after holding a camera for some time, this is the best video camera for you. The AG-HPX250 has a high-tech OIS, which compensates for any shaking.
High-Sensitivity, Low-Noise 3MOS Image Sensor
Because it comes with the PAP technology or Progressive Advanced Processing, the AG-HPX250 high sensitivity is possible up to F10 (F11 in 50 Hz mode). Yet, it offers a low-noise performance even in dimly lit places. Additionally, its 1/3-type 2.2 Mp 3MOS sensor has the same Ultra Luminance Technology (ULT) that usually com
es with Panasonic’s shoulder-mount P2 HD broadcast camcorders. This sensor allows you to maximize the lens’s performance and to ensure that the signal processing circuit is in standard conditions.
Dynamic Range Stretch
DRS is responsible for automatically suppressing blocked shadows and broken highlights in shots that need varied contrast levels. For example: indoor versus outdoor elements in a single frame. This technology matches the contrast of each pixel by estimating a gamma curve and knee slope. As a result, the Panasonic AG-HPX250 camcorder produces superb gradation for each shade, while minimizing blocked shadows and blown highlights.
20-Bit Digital Signal Processor
One of the reasons that make the new Panasonic AG-HPX250 one of the top 10 video cameras on the market nowadays is that it comes equipped with a 20-bit DSP handle. This allows for gamma and detail-enhancement functions with uncommon precision.
Recording and Storage Capacity
The HPX250 has dual memory card slots that enable you to record continuously without ever worrying about not having enough memory to store your videos. And because it uses P2 cards, instead of the SD cards, allowing you to create backups of your clips simultaneously or using hot-swap support.
Additionally, it comes with a file-based recording function that enables you to transfer data fast. The P2 cards also have MXF wrappers, allow you to edit your clips with any major nonlinear editing systems. This also allows you to record videos quickly, without cueing, and protection from accidents, such as data overwriting.
Variable Frame Rates
If you want cinematic slow-motion and quick-motion effects in a camcorder, then you’ll love the AG-HPX250. It features frame rate variables “overcranked” and “undercranked”. This allows you to record at a wide range of frame rates even in 1080p, just like professional camcorders.
This amazing camcorder can record high-quality 16-bit audio on all channels, giving you the freedom to select the audio source for each channel. It has a built-in mic, external mic, and the line in.
One-Clip Record Mode
With the One-Clip Rec mode, you can shoot up to 99 cuts and save them as one file. A text memo will then be automatically attached every time you start recording. This makes it convenient to find your desired scenes within the clip once you’re in the edit suite.
Loop Rec, on the other hand, allows you to repeatedly re-record a specific recurring time slot while maintaining a recording of the most recent time. The Pre-Rec mode is for continuously storing up to 3 seconds of HD video (7 seconds of SD video) in standby mode, which will be saved in the P2 card when you press the Record button. This means that even if you miss that crucial moment, you’ll still be able to get the shot. If you want automatic intermittent recording, you need to use the Interval Rec mode. Then, there is the One-Shot Rec, which lets you capture a single frame for animations.
Video Outputs with the Panasonic AG-HPX250 Review
When recording HD/SD videos, the SDI output of the HPX250 allows camera-through or high-quality 10-bit, 4:2:2 images when playing back AVC-Intra footage. SDI outputs consist of embedded audio and support Record Stop/Start functions. You can select the Aspect Ratio Conversion if you want to produce SD-SDI down-converted videos from an HD source. An HDMI output is also available for live monitoring and for playing back on compatible HDTVs.
Design and Style
One thing that can’t go wrong with Panasonic AG-HPX250 as it is one of the best camcorder you can find on the market today, is that it is tastefully designed for mobility. It’s compact and has a similar form factor to HVX200, and better weight balance, enhancing the screen visibility and ensuring comfortable shots for longer periods. What’s more, this video camera has a chassis that is composed of die-cast magnesium alloy for improved durability.
Low-Angle Shots Capability
If you’re concerned about shooting low angles, with the new Panasonic camcorder, you’ll be able to comfortably shoot in any way you like with its buttons strategically positioned in the design. Case in point: you’ll find the Rec Start/Stop button on the upper part of the handle grip and a lens zoom speed control with three speed levels.
Versatility in Workflow
If you want multiple options when it comes to offloading, field editing, and cutting, the Panasonic P2 includes numerous decks and mobile storage units, making it the perfect solution for your needs. Plus, its file-based nature enables you to integrate recorded clips into IT-based infrastructure.
Additional Camera Image Settings
The video camera’s shutter speed is between 1/6 to 1/2000 second. It also comes with a Synchro Scan function. For the gamma, the matrix setting comes with a Cine-Like mode. Additionally, the H & V detail levels are adjustable, as well as detail coring and skin-tone detail, chroma level, chroma phase, color temperature, and more. Moreover, you’ll be pleased to find out that the best video camera offers four settings for knee point: Auto, Low, Mid, and High. And a Focus Assist button will expand the center of the LCD screen, so you can check for correct focus right on time. You’ll find a focus level indicator on the LCD of the camera.
The new Panasonic AG-HPX250 2.2MP P2 HD H is sold between $4,400 and $5,000, or more. Although it leans toward being pricey, this camera guarantees that your money will be spent on impeccable functionality and cool features that no other brand can offer.
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|Power Supply:||DC7.2V (using battery)
7.9V (using AC adaptor)
|Power Consumption:||15W (when LCD Monitor ON)|
|Operating Temperature:||0°C to 40°C|
|Operating Humidity:||10% to 80% (no condensation)|
|Weight:||Approx. 2.5 kg (camcorder only)|
|Dimensions (WxHxD):||180 mm × 195 mm × 438 mm, excluding the projection part|
|Pick-up Device:||1/3 Type Progressive, 2.2Mil Pixels, 3MOS|
|Number of Effective Pixels (HxV):||1920 x 1080|
|Lens:||Panasonic lens with optical image stabilizer, motorized/manual mode switching, 22x zoom,
F1.6 – 3.2 (f=3.9mm to 86mm / 35mm equivalent: 28 mm to 616 mm, 16:9)
|Filter Diameter:||72 mm|
|Optical Color Separation:||Prism system|
|ND Filter:||OFF, 1/4, 1/16, 1/64|
|Minimum shooting distance:||Approx. 1 meter|
|Gain Selection:||0/+3/+6/+9/+12/+15/+18/+24/+30dB (+24 & +30 dB are to be allocated only for USER SW)|
|Shutter Speed (Preset):||50i/50p mode: 1/50 sec.(OFF), 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
25p mode: 1/25 sec.(OFF), 1/50 sec., 1/60 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
60i/60p mode: 1/60 sec.(OFF), 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
30p mode: 1/30 sec.(OFF), 1/60 sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
24p mode: 1/24 sec.(OFF), 1/60 sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
|Slow Shutter Speed:||50i/50p mode: 1/12.5 sec. and 1/25 sec.
25p mode: 1/6.25 sec. and 1/12.5 sec.
60i/60p mode: 1/15 sec. and 1/30 sec.
30p mode: 1/7.5 sec. and 1/15 sec.
24p mode: 1/6 sec. and 1/12 sec.
|Shutter Speed (Synchro Scan):||50i/50p mode: 1/50.0 sec. to 1/250.0 sec.
25p mode: 1/25.0 sec. to 1/250.0 sec.
60i/60p mode: 1/60.0 sec. to 1/249.8 sec.
30p mode: 1/30.0 sec. to 1/249.8 sec.
24p mode: 1/24.0 sec. to 1/249.8 sec.
|Aperture Angle:||3 degree to 359.5 degree, by 0.5 degree step selectable|
|Sensitivity:||50 Hz mode:
F8 (2000lx, 3200K, 89.9% reflection, 1080/50i, P.A.P. FILTER: TYPE2)
F11 (2000lx, 3200K, 89.9% reflection, 1080/50i, P.A.P. FILTER: TYPE1)
59.94 Hz mode:
F7 (2000lx, 3200K, 89.9% reflection, 1080/59.94i, P.A.P. FILTER: TYPE2)
F10 (2000lx, 3200K, 89.9% reflection, 1080/59.94i, P.A.P. FILTER: TYPE1)
|Minimum Luminance:||0.2 lx (when F1.6, +30dB of gain, and 1/30 sec. of shutter speed, P.A.P. FILTER: TYPE1)|
|Digital Zoom:||2x / 5x / 10x|
|Recording Media:||P2 Card|
|Recording Format:||AVC-Intra 100 / AVC-Intra 50 / DVCPRO HD / DVCPRO50 / DVCPRO / DV|
|Recording Time:||AVC-Intra 100/DVCPRO HD:
Approx. 16 min. with a 16GB P2 card
Approx. 32 min. with a 32GB P2 card
Approx. 64 min. with a 64GB P2 card
Approx. 32 min. with a 16GB P2 card
Approx. 64 min. with a 32GB P2 card
Approx. 128 min. with a 64GB P2 card
Approx. 64 min. with a 16GB P2 card
Approx. 128 min. with a 32GB P2 card
Approx. 256 min. with a 64GB P2 card
*Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above.
|Recording Video Format:||1080/50i, 1080/25p, 1080/25pN, 720/50p, 720/25p, 720/25pN, 576/50i, 576/25p,
1080/59.94i, 1080/29.97p, 1080/29.97pN, 1080/23.98p, 1080/23.98pA, 1080/23.98pN,
720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p, 720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p, 480/23.98pA
|Sampling Frequency:||AVC-Intra 100/DVCPRO HD:
Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50Hz)
Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94Hz)
Y: 13.5 MHz, PB/PR: 6.75 MHz
Y: 13.5 MHz, PB/PR: 3.375 MHz
|Quantizing:||AVC-Intra 100/AVC-Intra 50: 10 bits
DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits
|Video Compression:||AVC-Intra 100/AVC-Intra 50: MPEG-4 AVC/H.264 Intra Profile
DVCPRO HD: DV base compression (SMPTE 370M)
DVCPRO 50/DVCPRO: DV base compression (SMPTE 314M)
DV: DV compression (IEC 61834-2)
|Recording Audio Signal:||AVC-Intra 100 / AVC-Intra 50 / DVCPRO HD: 48kHz/16bits, 4CH
DVCPRO50: 48kHz/16bits, 4CH
DVCPRO/DV: 48kHz/16bits, 2CH/4CH switchable
|GENLOCK IN:||BNC x 1, 1.0Vp-p, 75 Ω|
|GENLOCK IN Additional Information:||BB or HD-Y|
|VIDEO OUT:||Pin jack x 1, 1.0Vp-p, 75 Ω|
|SDI OUT:||BNC x 1 (10 bits 4:2:2 camera through), 0.8Vp-p, 75 Ω, HD/SD switchable|
|HDMI OUT:||HDMI x 1, Type A|
|Built-in Microphone:||Stereo microphone|
|Audio IN:||XLR (3 pins) × 2 (INPUT 1, INPUT 2)
LINE / MIC / +48V switchable
LINE: 0 dBu
MIC: -40 / -50 / -60 dBu (selectable in menu)
|Audio IN Additional information:||Headroom 12dB|
|Audio Out:||Pin jack x 2 (CH 1, CH 2), Output: 316 mV, 600 Ω|
|Headphone:||Stereo mini jack (3.5 mm diameter) × 1|
|Built-in Speaker:||20 mm (round) × 1|
|Camera Remote:||Super Mini jack (2.5mm diameter) x 1 for ZOOM and recording START/STOP operations
Mini jack (3.5mm diameter) x 1 for FOCUS and IRIS controls
|TC IN/OUT:||BNC × 1
IN: 0.5 to 8 Vp-p, 10 kΩ
OUT: 2.0±0.5 Vp-p, low impedance
|IEEE 1394 IN/OUT:||6 Pin, Digital IN/OUT, based on IEEE 1394 Standard|
|USB2.0 (DEVICE):||Type mini B connector (compliant with USB ver. 2.0)|
|USB2.0 (HOST):||Type A connector (compliant with USB ver. 2.0)|
|LCD Monitor:||3.45 inches, LCD color monitor, approx. 921,000 pixels (16:9)|
|Viewfinder:||0.45 inches, LCD color viewfinder, approx. 1,226,000 pixels (16:9)|
|Standard Accessories:||Battery Pack x 1 (7.2V, 5400mAh), Battery Charger, AC Adapter, AC cable x2, Wireless Remote Controller with button-type battery, Microphone
Holder, Eye Cup, Shoulder Belt, Lens Hood, Grip Belt, CD-ROM,
Microphone Holder Screws x4, Microphone Holder Adaptor, Lens Cap, INPUT Terminal Cap x2
HPX250 Test Footage
HPX 250 Customer Reviews
Submit your review
I'm a freelancing video cameraman and It's absolutely perfect for what i do in my job.I'm also filming documentaries and nature films. I get really great results every time I use it. .Awesome
I work for a large video production company and we have been using two of these for 2 years. the concern i had was with the sensor size but this is far from and issue its as good as other 1/2" sensors. High quality and easy to use 5****
I bought this camera to replace my old Panasonic camera. I am glad I did as its been a real gem to work with. My favorite thing is that the focus,zoom and iris are all controlled by the same ring adjuster. The X22 Zoom is a top feature too. If you love your HPX cameras this is a worthy upgrade.
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